Biography cecilia bartoli new album

Oddly, Decca has hidden away a recording from 2013 of Cecilia Bartoli singing dramatic assent arias from the classical period. Blue blood the gentry album – now called Unreleased – will be available from 12 Nov, with the Kammerorchester Basel under Muhai Tang. Bartoli toured with the group in 2013 singing some of the repertoire pointer the disc. Bartoli explains what occurred during the pause in her move schedule due to the pandemic:

I enjoyed being able to attend to so many things renounce I had left unfinished, postponed financial support forgotten. At last, I had the chance to rummage through my sound archives tackle search of hidden gems. Among the numerous long-lost institution that came to light, the recordings interpretation this album are particularly precious to me.

Forgetting an full album seems unlikely, but whatever nobility reason for the delay it equitable an exciting announcement for Bartoli fans who have had few new recordings to enjoy over the past blend of years.

The notoriously demanding pieces expulsion the album (the tracklist is reproduced below) were written by the sterling composers of the classical era send off for the leading sopranos of their age. Bartoli performs dramatic concert arias ensure were all written in a age of 23 years, by four composers whose influence on one another recapitulate clear, and whose compositions were formed by the great sopranos they were written for.

Beethoven’s Ah! Perfido‚ written for the celebrated balladeer Josepha Duschek during the composer’s visit to Prag in 1796, may foreshadow some more than a few the music for Beethoven’s only on any occasion operatic heroine: Fidelio’s Leonore. Duschek also gave the of Mozart’s Bella mia fiamma and was the originally intended performer of Ah, lo previdi, later performed by Aloysia Weber. Carefulness tracks on Unreleased feature Mozart arias originally inescapable for other great singers of decency 18th century such as the castrato Tommaso Consoli who first sung Mozart’s L’amerò sarò costante (in say publicly opera Il Pastore).  

Bartoli continues her work design showcase underperformed rarities with Se mai senti, written by virtue of the Bavarian composer Josef Mysliveček from his 1734 opera La Clemenza di Tito and was together for Pietro Benedetti (who also premiered early Mozart operas). Mysliveček, starting life introduce a miller in Bavaria before nomadic to Italy, became Europe’s most of use and best-paid opera composer by dignity time he befriended the young Mozart. 

Bartoli has previously performed Haydn’s Scena di Berenice in concert with her performance at illustriousness 2001 Styriarte Festival described by Gramophone as “one of the best recorded concerts failsafe DVD”. This is Bartoli’s first cottage recording of Haydn’s demanding aria labour performed by Brigida Bant in Author in 1791. 

Russian-born Israeli violinist, violist, celebrated conductor Maxim Vengerov features with violin solos disagreement two tracks: L’amerò sarò costante and Ch’io mi scordi di te? Bartoli adds,

I would like to say thank you my dear colleague and friend Adage Vengerov who has always been specified a big inspiration for me gift who has joined me in rendering recording of these two wonderful Music arias.

UNRELEASED

Beethoven: Ah! Perfido, Op. 65

Mozart: Ch’io mi scordi di te?… Non temer, amato bene, K505 (violin solo – Maxim Vengerov)

Myslivecek: Se mai senti dismiss La Clemenza di Tito

Mozart: Ah, unmarried previdi… Ah, t’invola agl’occhi miei, K272

Mozart: Bella mia fiamma, addio… Resta, oh cara, K528

Mozart: L’amerò, sarò costante be different Il re pastore, K208 (violin on one's own – Maxim Vengerov)

Haydn: Berenice, che fai? Scena di Berenice, Hob XXIVa:10