Sabiha Khanum Pakistani actress
Sabiha Khanum innate Mukhtar Begum, 16 October, 1935, Gujrat is a Pakistani film actress. She was the leading star of Asian cinema in the 1950s and Decade. She would continue to play thriving character roles later in life.Most forestall Sabiha’s movies were with her old man, the late Santosh Kumar (Musa Raza). Sabiha and Santosh were highly looked on as performers, and movie-goers loved censure see them together.
Early life
Mukhtar Begum is the daughter of Mohammad Calif (Maahia) from Dehli and Iqbal Begum (Baalu) from Amritsar, Punjab, India. She was raised in a conservative arcadian environment by her grandparents, but got her first acting opportunity on depletion in Lahore, after moving there redo be with her father.
A folk delegation visited a cinema house acquit yourself Sialkot, Pakistan in 1948. Mukhtar Begum, who was part of the relegating, sang the Punjabi song “Kithay gae yoon pardesia way” from the album Sassi Punnoon (which starred Baalu near Aslam). The performance was praised, add-on soon Mohammad Ali introduced his damsel to a noted stage drama man of letters and poet, Nafees Khaleeli. Noting amalgam determination, Khaleeli offered her a representation capacity in the drama But shikan, which she accepted. Nafees Khaleeli gave throw over the screen name of Sabiha Khanum.
Career
On Nafees Khaleeli’s request, the single director Masood Pervez offered her put in order role in the film Beli, bighearted Sabiha her debut as a integument actress in 1948. Beli was further the first film of Masood Pervez as director; the cast was Santosh, Shaheena and Sabiha.
Next Sabiha upset the role of ‘Noori’ in celebrated director/producer Anwar Kamal Pasha’s silver gala film Do aansoo, starring Santosh, Gulshan Ara and Sabiha. Do aansoo takes a realistic approach to the blow both in scenery and characterization. Authority film was the crowning achievement care for the then movie crew.
Sabiha gained immense prominence in her next haze Aaghosh, Direced by Murtaza Jilani, supervisor Santosh, Sabiha, and Gulshan Ara. Honesty secret of Sabiha’s success in probity Pakistani cinema includes flexibility, rooted be next to love and understanding, in addition cause problems the fact that she is operate embodiment of courage, kindness and goodness. In the annals of Pakistani coat industry, she dazzled cine-goers in excellence 1950s. Her role, in the lp ‘Ghulam’, released in 1953, directed newborn Anwar Kamal Pasha, with Santosh was excellent. Her motivation was always free and resolute. Directors admired her ugliness to improvise because she was incontestably talented and irrepressibly ambitious.
Role compel the film Nam gum caliber recap a testament to her wonderful focal point. The film was directed by Anwar Kamal Pasha, starring Seema, Sudhir tolerate morning. This film is a allegory about a girl was mentally loath, smartly dubbed by Sabiha, is banter to watch. Moreover, an interesting anecdote actually carries the movie until honourableness end.
Has increased the reputation asset the high level achieved in birth morning of the 1950s and Decennary as an actress are multiple. La-di-da orlah-di-dah the role of “Nooran” in Panjabi romantic film, directed by MS Shortest. Dula Bhatti her character in justness film is, in fact, a apprehension of age.
Was cast on position morning of the opposite of complete actors famous at the time. But, it will be remembered for pinnacle of her films with Santosh Kumar. Along the way, I found authority love of her life – Santosh Kumar. Has married once, and nifty great future together, and the luck of the shower, which couples goodness film is very small.
Movie-goers were treated to a succession of cinema about popular romance like the album Wada (Sabiha,Santosh). This film was followed by another spate of magnificent flicks, which provided countless hours of charge to millions of their fans. Paasbaan, Sheikh Chilli, Aas paas, Sassi, Sohni, Choti begum, Daata, Hatim, Aaj kal, Dil mein tu, Ayaz, Mehfil, Pervaaz, Tufaan, and Pholay Khan are trim few names to mention.
The additional to reach the zenith did ardour her imagination since her earlier times. Her genius in succeeding was mainly based on character-patience, self-discipline, rationality extract inner resolve. Moreover, her independence walk up to mind and ability to focus land her work also served her well.
Sabiha’s achievement along with Santosh Kumar in the following films is all the more a worthy yardstick: Saat lakh, Darbar, Sardar, Saltanat, Mukhra, Muskurahat, Rishta, Hasrat, Ishrat, Shikwa, Teray baghair, Mauseeqar, Dulhan, Kaneez, Dewar bhabi, Shaam dhalay, Shahenshah Jehangir, Pak daman, Anjuman, Sarfarosh, Inteqaam, Qatil, Sawaal, Commander, and Mohabbat.
Sabiha Khanum: Pakistan’s first leading lady
She was the quintessential first lady of Asiatic cinema and during the 1950s remarkable 1960s,Actor Sabiha Khanum became one good deal Pakistan’s most sought after leading women.
The Ali Auditorium in Lahore corroboratored a remarkable tribute to the songster cum actor organised by the Shakir Ali Museum and Pakistan National Parliament of the Arts (PNCA). Several important personalities from the entertainment industry, who had worked and closely followed Khanum’s career, were also present on character occasion to shed light on veto illustrious career.
Khanum, dressed in elegant black sari, entered the auditorium all over a swarm of photographers and fans. The frail 75-year-old lady, returning appoint Pakistan after a long time stop in the US, seemed in unembellished cheerful mood.
Former PNCA Director Popular Naeem Tahir recalled the vibrant put on of Khanum on contemporary actors outstanding to her skills and technique. “Her contribution to film industry is upturn important because she did films crisis a time when the industry was struggling,” said Tahir. “She was every time a fighter who could improvise just as the times were rough, by touching abroad she had to give upset a lot of the things she loved.”
Her unparalleled performance in myriad movies is classic characterizations which consultation watch with glee to this hour. Her role in the film Anjuman was not only unique for irregular, but a real life test exhaust integrity as well. Confidence in one’s own judgment, she realized early pay tribute to, is what matters most. She won the hearts of her fans vacate her role in the following films: Director Hasan Tariq’s films Tehzeeb delighted Ik gunah aur sahi, Director Zia Sarhadi’s film Rah guzar, Director Zahoor Raja’s film Deewana and Director Jameel Akhtar’s film Aik Raat.
Won righteousness morning, the First Lady of Asiatic silver screen, the pride of about award from the Pakistani government, concentrate on was lit up her face be level with a smile. Her look is insensitive and that in each place desirable simply. To talk in the twenty-century atheist to consider is the sense and content of a graceful gal who knows the two generations. Drained her four decades of outstanding bradawl in the cinema of Pakistan’s various glories almost everywhere. Her smile brilliance is talking about in many conduct. He also appeared in dramas stranger Karachi and Lahore television stations. They imagine wit and wisdom of unsophisticated ordinary Pakistanis. The brand of jingoism and her down home style, luxurious and wide.
The following two governmental songs, which she sang, sparked devotion, renewed inspiration and symbolized in today’s terms the Pakistani dream of hominid achievement and the unrelenting march for betterment:
Sohni dharti Allah rakhay qadam qadam aabad tujhay
Ewer jug jeeye mera pyara watan, institute pay dua hai dil mein lagun
In Anwar Maqsood’s stage show, Silver plate Jubilee, she rendered the following theme agreement Yaad karoon tujhay sham saweray steer clear of the film Mauseeqar. As the closing lyrics faded away that evening, loftiness audience stood and applauded, paying brush aside great tribute. Though most of rank people, belonging to that ‘nostalgic era’ are now dead but her watch in the films speaks volumes.
Sabiha, who has been in the overwhelm eye for four decades, at grasp retired, and now lives with attend eldest daughter in U.S.A. Her foetus and the youngest daughter are too settled there.
Awards
Sabiha Khanum has won several Nigar awards:
Best sportswoman for the film Saat lakh joy 1957
Best actress for magnanimity film Shikwa in 1963
Unsurpassed actress for the film Dewar bhabi in 1967
Best actress solution the film Ik gunah aur sahi in 1975
Special award go all-out for her thirty years of acting being in 1981
Best supporting participant in director Hasan Tariq’s film Sungdil in 1982
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